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A Room with a View

A Room with a View

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A Room with a View

A Room with a View

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Latest Chapters

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XX: The End of the Middle Ages
XIX: Lying to Mr. Emerson
XVIII: Lying to Mr. Beebe, Mrs. Honeychurch, Freddy, and the Servants
XVII: Lying to Cecil

Summary of A Room with a View

“But you do,” he went on, not waiting for contradiction. “You love the boy body and soul, plainly, directly, as he loves you, and no other word expresses it …”

Lucy has her rigid, middle-class life mapped out for her, until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Bertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George.

Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Edwardian England, personified in her terminally dull fiancé Cecil Vyse. Will she ever learn to follow her own heart?

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I: The Bertolini
II: In Santa Croce with No Baedeker
III: Music, Violets, and the Letter S
IV: Fourth Chapter
V: Possibilities of a Pleasant Outing
VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them
VII: They Return
VIII: Medieval
IX: Lucy as a Work of Art
X: Cecil as a Humourist
XI: In Mrs. Vyse’s Well-Appointed Flat
XII: Twelfth Chapter
XIII: How Miss Bartlett’s Boiler Was So Tiresome
XIV: How Lucy Faced the External Situation Bravely
XV: The Disaster Within
XVI: Lying to George
XVII: Lying to Cecil
XVIII: Lying to Mr. Beebe, Mrs. Honeychurch, Freddy, and the Servants
XIX: Lying to Mr. Emerson
XX: The End of the Middle Ages

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